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13. June 2022, 20:00
The band ‘Fattness’, featuring all bass instruments will play new music and also invite the audience to “play along” with the ensemble on their cell phones.
6. June 2022, 19:30
The Berlin School of Sound and the initiative neue music e.V. invite you to an informal sharing and exchange session at ACUD Macht Neu that aims to connect displaced, newly arrived artists with artists and cultural practitioners already settled in Berlin. Everybody is welcome to attend – the event is free of charge, and is aimed to become a regular meet up for the music and sound scene.
6. June 2022 – 25. July 2022
With guest lecturers Brandon LaBelle, Åsa Stjerne and Buddhaditya Chattopadhyay Course Module 2, June-July 2022 This course provides a hands-on and research-based approach to site-specific practices in sound. The course culminates in a project week wherein participant’s work is featured for the public at a four-day event at Acud. Lecturers: Jeremy Woodruff and Katharina Bévand. Cooperation: Singuhr’s Unexpected Territories Festival, Composers-Inside-Electronics artists John Driscoll and Phil Edelstein, and Michael Johnson
3. June 2022, 20:00
In each session, a special guest and his inspiring genre are invited to celebrate the personal encounter and direct exchange with the Zafraan Ensemble and the audience. Special Guest: Kalle Kalima – electric guitar and composer from Finland Programm:Kalle Kalima (*1973) – ADAC
27. May 2022, 20:00
Heya, is a research project and experimental ‘musicking’ collective which aims to bridge women who make sound and experimental music in the UK, Egypt, Lebanon and Turkey with each other and a global audience. Live networked performances and collaborative sonic works between Nour Sokhon (LE), Jilliene Sellner (CA/UK), Yara Mekawei (EG) and Zeynep Ayşe Hatipoğlu (TR), mixing and reacting to each other’s field recordings and sonic experiments, becomes a horizontal and egalitarian method of decolonizing musicological research
26. May 2022, 19:30
Musical forms of minimalist idiom, which consist of isolated sound events as well as gradually revealing harmonies and resonances. Metallic sounds from a large heavy cymbal are amplified and blend with electronically generated sine waves of varying amplitude, unfolding in a continuous glissando.