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Nov 2022

  • Course
15. November 2022 – 29. January 2023
In this hands-on course the participants learn fundamental theory and approaches to modular synthesis while also learning the basics of electronics for building circuitry and synth modules. Assignments help the participants learn strategies for better achieving their artistic goals and structuring work. In the last two weeks of the course, approaches to composition, improvisation and performance with modular synthesis and built interfaces are workshopped and performed

Oct 2022

  • Performance
31. October 2022, 20:00
Jazz & Fly Fishing is a jazz quartet, a quirky film project, and a dream come true. It all started in Helsinki in 2008. Two young men met in a pub and came up with the ingenious idea of putting together a jazz band of fly fishermen. Those two men were Joona Toivanen, an award winning Finnish piano player who is also a passionate fly fisherman, and Petri Luukkainen
  • Performance
28. October 2022 – 29. October 2022
Es reicht von einem die Stille erforschenden Kinderstück über präparierte und elektronische Klavierklänge bis zu einem Stück zu vier Händen. Das zweite Paar Hände agiert allerdings nicht an den Tasten, sondern im Flügelinneren – um das Instrument zu dämpfen, Flageolettklänge zu erzeugen oder die perkussiven Eigenschaften des Instrumentes zu erforschen (nur 29. Oktober)
  • Performance
22. October 2022, 19:00
LIMINAL is a dance/performance based art film experience that uses Berlin’s architecture as a second skin to create a visual choreography of the contemporary experience of liminality and the need of becoming in our current historic moment
  • Performance
19. October 2022, 20:00
An evening that invites musicians and performer from various backgrounds to create immersive narrative of momentary noise and electronic soundscapes. PWAH are Roberta Stein and Cem Çakmak, a Berlin-based experimental duo merging voice and heartbeat with electronic instruments live.
  • Performance
13. October 2022, 20:00
Don’t you lie awake at night wishing that Philip K Dick had written music to accompany his vision of dystopia? All that time he was working in a music store and we only get books… Well luckily, Mr. Boris Hauf has supplied us with the next best thing: The great anti-anti-utopia is here.”
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