Antje Vowinckel
Research Focus
- Sound Art (performance, objects and installations)
- Field Recording Compositions
- Connecting the arts and technology (creating digital tools used in different fields of the arts especially Sound Art and theater)
- Interdisciplinary collaborative work
- Sound Art Education
Curriculum Vitae
Antje Vowinckel is an internationally recognised composer, sound artist, and radio art author. Her work operates at the intersection of speech sound, experimental composition, and radio art. She has received numerous international awards and is regularly featured at prestigious institutions and festivals. Her compositions explore the musical qualities of language and everyday sound.
See: www.antjevowinckel.de
Antje Vowinckel — Discography & Key Works
CD Releases
- Call Me Yesterday — 2005 (sound composition; broadcast in 18 countries; Karl-Sczuka-Förderpreis winner)
- Terra Prosodia — 2014 (Gruenrekorder, Gruen 125) — sound compositions with European dialect melodies
- Charlemagne, la vue attachée sur son lac de Constance, amoureux — (Bowindo) — split release with Alessandro Bosetti
- Tuning Butterflies — 2019 (Errant Bodies) — dialect recordings re-performed by humming musicians (Marc Sabat, Serge Baghdassarians)
Selected Compositions & Performances
- Daily Soap — 2000 (Prix Europa winner)
- Ferrari entre — 2011 (ZKM Award “Ferrari recouté”)
- Terra Prosodia — 2011 (Honorary mention Prix Ars Electronica 2012)
- Galapagos Crossfade — 2017 (sound composition & installation)
- Goethe to go. A Spoken Landscape — 2018
- newsroom. sound aquarium — 2019
- Hubraum — 2020 (composition for two vibrating speakers and objects)
- Second Floor — 2022 (Sound Cinema Award 2023, 1st place)
- Fehlerwiesen / First Chance — 2022 (multimedia performance)
- opdoppling Berlin-Brandenburg — 2023 (recycling-composition)
Awards (selected) Prix Europa, Karl-Sczuka-Förderpreis, ZKM Award, Prix Ars Electronica (honorary mention), Prix Phonurgia Nova 2024 (1st place), Sound Cinema Award 2023 (1st place)