Performing with Modular Synths and Circuitry Building
Module 4, Diploma Course
November 15th, 2022 – January 29th, 2023
over 16 three-hour seminar/workshops
Promotional partner: Berlin Modular Society
– free show on November 18th, ticket discount to all further Berlin Modular Society events during the course, backstage talk discussing professional club night set-up on a further Berlin Modular Society event. Possible appearance opportunity (conditional)
Modular units provided by Doepfer Musikelektronik for our courses (currently first two weeks only)
Work with guest artists Jacqnoise, Jan Hennig aka Kabuki, Eliad Wagner, Steve Williams aka Drusnoise, Simon Berz and Jess Kert
In this hands-on course the participants learn fundamental theory and approaches to modular synthesis while also learning the basics of electronics for building circuitry and synth modules. New ways integrating diverse configurations of gear including modular synths will be introduced. Assignments help the participants learn strategies for better achieving their artistic goals and structuring work. In the last two weeks of the course, approaches to composition, improvisation and performance with modular synthesis and built interfaces will culminate in performances at the Acud Club Room and a back stage field trip to club Fitzroy with Berlin Modular Society
In the final phase participants may opt to participate in three evenings of performances together with course leaders and guests at the Acud Club. The cooperation with Berlin Modular Society also provides a channel through which performance opportunities for eager participants may arise.
Lecturers: Stephane Lefrancois, Katharina Bevand and Georg Werner
Modular synthesis connects many areas of electronic music and sound art. In this course, students will learn about synthesis, especially as applied to a modular ecosystem, in order to accurately assess their needs and desires, to build a system which represents their “ideal instrument”.
The students will also learn about the basics of electricity, electronics and they will gain an understanding of the foundations of electroacoustics, i.e., how we can use electric circuits to produce and sense sounds. Furthermore we will explore how the most common modular synth system (Eurorack) works and how modules are connected. On the basis of this knowledge there will be a hands-on session where the participants learn to solder while assembling a simple DIY module from a kit (parts cost 15-30 Euro).
A fundamental knowledge of how electronics and building one’s own basic interfaces work are key to the full creative potential of electronic sound.
Participants: Max 16
Fee: 700€ / Course
120€ off when you get a friend to sign up.
Material, circuitry building costs extra (ca 15 – 30€)
We are a non-profit organisation. Reductions on a need-basis only.
Recommended prerequisite for the course:
Best is if the participants already own a modular or semi-modular synthesis system at the start of the course – please contact us for questions or a free consultation if you want to obtain one. A group discount for purchases at a local vendor will be arranged (e.g. Schneidersladen etc., – currently in planning). Also Doepfer Musikelektronik has agreed to sponsor us with modular units for the first 2 weeks of the course so that everyone can get started on hardware right away.
Even without hardware however, the Course Module can be completed while only using the softwares VCV Rack and Modulargrid. They will be covered thoroughly in the classes and provide a solid foundation upon which to build a system.
In between, references to readings in course texts and viewing of key instructional videos will compliment the seminars. With VCV Rack, Modulargrid, the course, and videos, beginning students will be more than ready to approach the modular world with complete confidence, even if they have never bought a modular synthesis system before.
Classes and Workshop Schedule (may be subject to slight changes)
Tuesday 15th, 2-5pm
Class 1 (SL, KB and GW) Introduction to VCV rack, basic building blocks, modulation, sequencing
Introduction to VCV Rack
brief overview of the different modules
Basic building blocks
oscillator (VCO) (sine, triangle, sawtooth, square, PWM)
low pass gate
wave folder / wave shaper
envelope (AD, ADSR, looping envelope)
low frequency oscillator (LFO)
modulation range, attenuverter
clocking, clock distribution and division
alternate ways of sequencing (LFO, random source, sample & hold)
Friday 18th, 2-5pm
Class 2 (SL) Synthesis types, essential patching examples
subtractive (east coast)
additive (west coast)
frequency modulation (FM)
Essential patching examples
traditional subtractive voice
simple FM patch
simple 1 – voice sequencing
modulating the modulator
18.11 Evening – Berlin Modular Society event at ACUD club! Free entrance for BeSoS students, 8pm
Monday 21.11, 2-5pm
Class 3 (SL) sound design patching
Sound design patching
kick drum patch
snare drum patch
hi hat patch
bass line patch
Tuning considerations and techniques
Micro tuning, just intonation, scales and quantizers
listening session III
Thursday 24.11, 11-2pm,
Class 4 (SL) Designing a system, performing with a system
Designing a system
which modules to buy
introduction to Modular Grid
design a system in Modular Grid
Combining software with modular synthesis for performance
MIDI and routing
channels and mixing
Performing with a system
achieving a polished sound from a modular setup
performing tips and tricks
writing tips and tricks (randomizing)
introduction to LZX Visual Cortex and integrating it with audio modules
listening session IV
Monday 28.11, 2-5pm
Class 5 (GW) Electrical basics, electric parts and introduction to electroacoustics
What are voltage, current, resistance and how are they related
AC / DC
How to connect things
How to use a multimeter
Introduction to electroacoustics
How does a speaker work
How does a microphone work
Friday 2.12, 11-2pm
Class 6 (GW) Introduction to circuits, circuit diagrams and the electrical design of modular systems (Eurorack)
Introduction to circuits
Symbols for electronic parts
How to read and write circuit diagrams
The electrical design of modular systems (Eurorack)
How does the Eurorack system work internally
Monday 5.12, 2-5pm
Class 7 (KB) Modular Sonic Arts I: Sonic artifacts and sustained tones
Experimental music exploration with modular synths: artistic approach for live performance and installations.
A history of hearing and new music styles with electronic instruments. Machines changed our hearing.
Drone music: Practices of listening, time questions and perception of time.
Atmospheres, noise, glitches and feedback. Manipulating time: granular synthesis and samplers..
Introduction to female pioneers in electronic music: listening sesssion I – Eliane Radigue, Pauline Oliveros.
Assignment: watch documentary Sisters with Transistors.
Thursday 8.12. 2-5pm
Class 8 (KB) Modular Sonic Arts II: Spatial explorations / Extending the modular setup with external inputs for performance or installations
Hearing space, sound and psychoacoustics. Spaces for installations and performances, effects and quadraphonic explorations. Otoacoustics.
Spatial composition with modular setups in performances or for installations.
Creative extension of the modular setup: external sound sources
Generative approaches for composing and modulation with random generators, sequencers and lfos.
Female pioneers in electronic music: listening sesssion II – Maryane Amacher etc.
Monday 12.12, 2-5pm
Guest Workshop I
A versatile synthesizer made of nothing more than a speaker, a battery, some clip leads and scrap metal? And no soldering required? Welcome to John Bowers’ “Victorian Synthesizer”, presented by Nicolas Collins, author of that essential survival guide, Handmade Electronic Music.
Serge modular sythesizers, patch programmability and mild cybernetics
In this workshop we will be introducing various ideas prominent in the so-called ‘west-coast approach’ to synthesis: patch programmability (modules allowing multiple functionality depending on their internal patching- often used in Serge Tcherepninn’s designs), feedback patching (using feedback as behavior generator in modules or patches), basic cybernetics and generating sounds from unexpected sources.
Eliad Wagner is a composer, performer, sound artist and educator. He is a classically trained musician, holding academic degrees in physics and music. In 2012 Wagner relocated to Berlin, where he quickly became an active member of the city’s experimental improvised music scene as a performer of electronic music (playing the modular synthesizer) as well as composing for ensembles and installations. Since 2015, He is the head of the Electronic Music Production and Performance degree programme at the Catalyst Institute for Creative Arts and Technology in Berlin.
His music has been performed/ published/ presented by Computer Music Journal (MIT Press), Guggenheim New York, Q-O2, Steim, HKW Berlin, Worm Rotterdam, Ensemble Phoenix Basel, TU Berlin, UDK Berlin, Aarhus academy of music amongst others.
Thursday 15.12, 2-5pm
Guest Workshop II
Jacqnoise: DIY Modular building
Building the eurorack – soldering work
During live performances JacqNoise synchronizes with her surroundings. She finds her main source of inspiration in cultural cross-pollination. In the past years, JacqNoise has collaborated with musicians from all over the world. This is leading her curiosity to experiment and adapt new methodologies.
Lately, JacqNoise has pioneered hardware interfaces that support algorithms and are based on chaos in order to develop noises and specify sounds.
15.12 Evening, 6:30pm
Visit to Fitzroy club to hear a talk about the set up for that evening’s event by Berlin Modular Society including an introduction to operations by Steve Williams aka Drusnoise. [Possible meet and greet with the artists on the night]
Friday 16.12, 2-5pm Class 9 (GW)
Introduction to applied circuit building
Introduction to tools
Introduction to soldering
Begin building the module from the recommended kit (parts cost 15 Euro extra)
Christmas Party… 🌟🌲
Band performance in the evening “Environmental Damage” featuring Jonathan Woodruff on Trombone, keys and voice
- X-MAS BREAK
WAR IS OVER, IF YOU WANT IT
- HAPPY NEW YEAR 2023!
Saturday, January 7th, 2-5pm Guest Lecture III
Jan Hennig aka Kabuki: Modular Harmony and Polyphonic Concepts
Modular synthesizers are generally used to create monophonic sounds. The reason for this is that in the real world, a polyphonic patch with dedicated filter and envelope per voice is unwieldy and excessively expensive. However, there are ways to extrapolate monophonic voices from a chordal structure that are more native to the modular synth paradigm. Together we will look at different polyphonic concepts.
Kabuki’s heart beats for such seemingly different musical genres as Jungle, Jan or Ambient. For over 20 years, his productions have covered the complete spectrum of beat science, always in search of that special feeling.
From 1996 – 2021 he released over 200 single tracks as singles or released on compilations. He produced remixes for artists like Ennio Morricone, Tinashe, Hot 8 Brass Band and many more.
Since 2016 he has been teaching with a focus on sound synthesis at the Abbey Road Institute in Frankfurt am Main, Germany
2018 studies at the California Institute of the Arts (Sound Synthesis Using Reaktor)and from 2019 until today studies at Stanford University (Programming Max: Structuring Interactive Software for Digital Arts).
Simon Berz: DIY Instruments, modular and improvisation
Based on electroacoustic equipment (D.I.Y. instruments, effects, mixer, modular system) Simon Berz shows extensive and creative ways of sound manipulation in improvisation.
The workshop shows possibilities of microscopic sound research using body sound microphones. He lets the participants experience how the simplest sound events can be transported into monumental walls of sound and create new improvisation ideas.
Simon Berz’s work in experimental and improvised music, in sound art and new forms of performance aims at innovation, interaction and participation. Simon Berz is a drummer and sound artist. He uses improvised music to create bridges between his compositions and performances to visual arts, dance and film. His work takes place in artist-run spaces as well as in clubs, galleries and concert halls.
Since his youth he has been involved in developing instruments, sound/art installations and performances based on listening and observing, sound and materials research, on the implementation of experimental formats and their aesthetic mediation. As well as developing his own rhythmic and sound language through an electro-acoustic drumset called the Rocking Desk, he has also developed a “lithophone” consisting of stones producing a sound made by liquid dripping from drip bags that he amplifies and distorts electronically. In 2011, this sound installation was awarded the “Werkjahr des Kantons Zug” prize.
Basierend auf elektroakustischen Gerätschaften (D.I.Y. Instrumente, Effekete, Mischpult, Modularsystem) zeigt Simon Berz umfangreiche und kreative Wege der Klangmanipulation in der Improvisation.
Der Workshop zeigt Möglichkeiten der mikroskopischen Klangforschung mittels Körperschallmikrophone. Er lässt die Teilnehmer erfahren, wie einfachste Klangereignisse in monumentale Klangwände transportiert werden und neue Improvisationsideen erschafft.
Monday 9.1, 2-5pm
Class 10 (GW) Building your own module
Checking for errors
Connection to the Eurorack
Testing and having fun with the module
Thursday 12.1, 2-5pm
Group work on final projects
Saturday 14.1, 2-5pm
Guest Workshop IV: Steve Williams aka Drusnoise: Live Performance Workshop
This workshop will help you learn how to make the most of your modular synths in a live setting. We will cover topics like how to build a live set that works for the space and audience, concepts to keep in mind when performing, engaging with the crowd, and balancing planning and improvisation. We will also dive into more practical questions like choosing gear, audio/MIDI routing, integrating modular synths with other gear, mixing for live performance, packing, setup, and soundcheck tips.
Drusnoise is a live, electronic music producer, sound artist and co-founder of the Berlin Modular Society hosting bi-month live electronic events in Berlin. Originally from Canada, his roots in techno lie in the 90s rave scenes of Toronto, Vancouver and London before reaching to the German capital where he currently resides. drusnoise integrates analog modular synthesizers with digital FX and organic samples to create a style that flows from lush ambient tones to gritty techno, in addition to a few curveballs along the way. Over the past years, drusnoise has performed live techno and experimental sets in clubs across Berlin, Prague, Amsterdam. Known in the outside world as Dr. Steve Williams, his academic work includes conducting and publishing research on sustainable energy transition in Canada, Germany, and Sweden. Keen to merge themes of sustainability with dance music and sound art in today’s eco-challenging climate, drusnoise builds live sets from a plethora of natural sources incorporating field recordings, sonified climate change data, and feedback loops.
Monday 16.1, 2-5pm
Class 12 (KB): creative strategies and finalize
Further software/hardware combinations
Develop a piece in groups
Improvisation and performance techniques
patching on the fly
live recording techniques
Notation in electronic music
Finalize and rehearse the piece in groups
review work and record extra sections
Write texts for the piece
Female pioneers in electronic music
listening session V
Thursday 19.1, 2-5pm Class 12 (KB, SL, GW)
Make-up seminar or continue Finalize
Monday 23.01, 2-5
reserved for make-up seminars etc.
Participant Performances alongside guests:
January 25th – 28th
and additional venue TBA (in planning)
Handmade Electronic Music, Nicolas Collins https://www.handmadeelectronicmusic.com/index.htm
There are numerous further inspiring and insightful channels that can be suggested. Some fundamental ones are:
Bookings are closed for this event.
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