Boris Hauf and Jeremy Woodruff Quintet

BORIS HAUF – ELECTRONICS

“Don’t you lie awake at night wishing that Philip K Dick had written music to accompany his vision of dystopia? All that time he was working in a music store and we only get books… Well luckily, Mr. Boris Hauf has supplied us with the next best thing: The great anti-anti-utopia is here.” – Mark McLaren

Tonight we will also be showing music-videos of Vienna based video and sound artist billy roisz and dieter kovacic – in town to premiere their new film at Berlinale ’23.

hauf.klingt.org

billy.klingt.org

Jeremy Woodruff Quintet is:

Frida Beck, Trumpet
Nils Marquart, Trombone
Jeremy Woodruff, Bari Sax and interviews
Peter Nitsch, Bass
Hans Otto, Drums

Jeremy Woodruff’s compositions for this ensemble feature a highly American idiom but with extremely unusual twists and turns:
these highly melodic investigations of alternate realities, often veering into unusual metrical combinations and a harmonic approach reminiscent of things you didn’t think could ever be musically possible again after about 1923. The somewhat simple melodies are a reactionary gesture to a glut of sanctimonious political, conceptual and technological artistic pretensions with which we are relentlessly confronted. Recorded interviews on personal lives maybe punctuate the deep sense of loss of our communal human future that the music is just able to hang by a thread of remaining sanity in order to communicate.

Bookings

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• Course

4. March 2024 - 5. May 2024, 18:00

Interdisciplinary Audio Production: Sound in Context

This course teaches you the main specializations in the industry in one intensive education: You will get a great hands-on preparation to do audio production work for picture (film/video), radio and podcast, theater, performance, live concert stage sound, as well as understand the professional recording studio workflow. A pro seminar on audio mastering completes the course. At the end you can present your work at the legendary Acud Macht Neu Club.

• Performance
• Workshop

22. April 2024 - 15. June 2024

Sonic Borderlines Listening Series

(sponsored by Initiative Neue Musik) How Do the Smallest Units of Sound Relate…? In the case of music from differing cultures, approaches and disciplines playing together, how can musicians use underlying metaphors to bring fundamental differences of technique and sound into meaningful aesthetic relationships with one another? Furthermore, what technical studies and (if applicable) new notational approaches for melody, rhythm, timbre, and interaction derived from these metaphors can best facilitate this goal?

• Course
• Workshop

6. May 2024 - 30. June 2024, 15:00

Modular Synthesis for Live Performance and Sound Design

This course teaches you the main basics and also covers advanced settings for live performance considerations in a setup specifically based on modular synthesizers! You will develop your own musical aesthetics, performance or production setup and dive deep into your own life performance workflow. At the end you can present your work at the legendary Acud Macht Neu Club!

• Course
• Workshop

24. June 2024 - 2. August 2024, 18:00

Generative Music Production in Max and Max-for-Live

Explore the limitless possibilities of generative music production using the dynamic duo of Max and Max-for-Live! This course is designed for artists, musicians, producers, and sound enthusiasts looking to push the boundaries of creativity and harness the potential of generative musical techniques in their art.