Exhale[s] at Errant Sound and Breaths/LP/Deaths at Acud – Final presentations – July 2022

Experience sonic performances by Roxanne Nesbitt, Wei Kang Beh, Steve Williams, Cillian Peat and Elodie Le Neindre at Acud (this event)

Questioning and Attestation made sensorial from unknown states beyond and behind our cognitive scope; feedforward / resonance / sustainability / climate / disclosure / symbiosis / dead silence / [negotiating] noise / anthropophony

Program:

Friday 22nd

‘Can you hear the Earth breathing?’ (Steve Williams/drusnoise) 35 min 

‘improv on symbiotic ceramics and piano’ (Roxanne Nesbitt) 20 min

‘Turn on, dial in: Explorations in soundscape improvisation through SW radio transmissions’ (Cillian Peat) 30 min

Saturday 23rd

‘Dead silence – Negotiating noise with the non-living’ (Håkan Jonsson) 6 min

‘Can you hear the Earth breathing?’ (Steve Williams/drusnoise) 35 min

‘Turn on, dial in: Explorations in soundscape improvisation through SW radio transmissions’ (Cillian Peat) 30 min

Elodie Le Neindre 25 min

and Exhale[s]: works by Roxanne Nesbitt, Morten Poulsen, Tan Bone Project (Li Li [KSA] and Joshua Weitzel), Wei Kang Beh, Håkan Jonsson, Roxanne Gintz, Steve Williams and SK Sabrin Zahan Kriti at Errant Sound Wednesday 20th July at 6pm opening and every day thereafter through the 25th of July 2 -8pm : Errant Sound Event Link

Together in one exhibition, the eight artists reflect many approaches to working with sound as artistic practice. This work spans from research on how noise is negotiated in public spaces, to noise as an expression of protest, how new instruments create new relationships and how doing certain sounds together changes relations, how listening might show us something about ourselves or reflect current socio-economic systems….

Exhibition opening: July 20th at 6-9pm
Opening days: July 21-25, every day at 2-8pm

Together these are the culminating event of Practice-Based Sound Studies for Installation and Performance, Module 2, Berlin School of Sound, June – July 2022

What else is going on What else is going on What else is going on

• Course

4. March 2024 - 5. May 2024, 18:00

Interdisciplinary Audio Production: Sound in Context

This course teaches you the main specializations in the industry in one intensive education: You will get a great hands-on preparation to do audio production work for picture (film/video), radio and podcast, theater, performance, live concert stage sound, as well as understand the professional recording studio workflow. A pro seminar on audio mastering completes the course. At the end you can present your work at the legendary Acud Macht Neu Club.

• Performance
• Workshop

22. April 2024 - 15. June 2024

Sonic Borderlines Listening Series

(sponsored by Initiative Neue Musik) How Do the Smallest Units of Sound Relate…? In the case of music from differing cultures, approaches and disciplines playing together, how can musicians use underlying metaphors to bring fundamental differences of technique and sound into meaningful aesthetic relationships with one another? Furthermore, what technical studies and (if applicable) new notational approaches for melody, rhythm, timbre, and interaction derived from these metaphors can best facilitate this goal?

• Course
• Workshop

6. May 2024 - 30. June 2024, 15:00

Modular Synthesis for Live Performance and Sound Design

This course teaches you the main basics and also covers advanced settings for live performance considerations in a setup specifically based on modular synthesizers! You will develop your own musical aesthetics, performance or production setup and dive deep into your own life performance workflow. At the end you can present your work at the legendary Acud Macht Neu Club!

• Course
• Workshop

24. June 2024 - 2. August 2024, 18:00

Generative Music Production in Max and Max-for-Live

Explore the limitless possibilities of generative music production using the dynamic duo of Max and Max-for-Live! This course is designed for artists, musicians, producers, and sound enthusiasts looking to push the boundaries of creativity and harness the potential of generative musical techniques in their art.